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Roulette Disegni
Roulette Disegni Average ratng: 4,6/5 3726 votes
La roulette e come una donna, se le offre le cifre basse al inizio non dice niente ma dopo un po di tempo si offende, prende i Suoi soldi e La calcia via come un cane. I sistemi Le permettono di ingannare la roulette ma i suoi capricci arrivano al improviso e a volte durano di piu di quello che ci aspettiamo. Gli accattivanti disegni della slot Wolf Gold Grafica, suoni e animazioni. I disegni sono ben realizzati, in stile murales americano: ovvero, dall’aspetto complesso, dettagliato ma, in qualche modo, un po’ scadente. Nonostante questo, l’aspetto estetico si intona con il tema e, fatta eccezione per i simboli da asso a dieci, il look funziona.
RA Collection: Book
Record number
Imprint
Parma: MDCCLXXII.
Physical Description
Contents
[T.-pl.] - [Pl. 1: dedic.] - [Pl. 2-29] - [Approvazione:] Noi Reale Accademia Parmense di Pittura ... - [Plate].
Responsibility Note
The title-plate, pl. 1 (engraved dedication) and pl. [30] (engraved Approvazione) are unsigned. Plates 2-29 are all signed as drawn by Franco. Mazzola Parmigiano and engraved by B. Bossi. The last plate (pl. [31]) is signed as engraved by Gius. Patrini. The title-plate vignette is unsigned.
The dedication is by 'Benignus Bossius' to 'Alexandro Comiti Sanvitali'. The last plate [31], 'Prospetto della Facciata di S. Pietro in Parma ...', is dedicated by Petitot to D. Guglielmo Du Tillot.
The dedication is by 'Benignus Bossius' to 'Alexandro Comiti Sanvitali'. The last plate [31], 'Prospetto della Facciata di S. Pietro in Parma ...', is dedicated by Petitot to D. Guglielmo Du Tillot.
References
Reproduction techniques were surveyed in S. Lambert, The image multiplied: five centuries of printed reproductions (1987).
Summary Note
A publication-date of 1771 is carried on two plates (22, 29).
This is one of many reproductions of paintings and drawings by Parmigianino published in the eighteenth century.
Plates 2-29 reproduce drawings of human figures, clothed and unclothed. The last plate (unnumbered) is captioned, 'Prospetto della facciata di S. Pietro in Parma d'invenzione, e disegno di E.A. Petitot ...'.
This is one of many reproductions of paintings and drawings by Parmigianino published in the eighteenth century.
Plates 2-29 reproduce drawings of human figures, clothed and unclothed. The last plate (unnumbered) is captioned, 'Prospetto della facciata di S. Pietro in Parma d'invenzione, e disegno di E.A. Petitot ...'.
Binding Note
19th-century half calf, brown paper-covered boards; black morocco spine-labele lettered 'Disegni Originali Di Parmigianino', spine lettered '1772'.
Name as Subject
Subject
People - Women - Men (male humans)
Drawings, Italian - Italy - 16th century - Mannerism
Collections - Italy - Emilia Romagna - Parma - 18th century
Pictorial works - Italy - 18th century
Drawings, Italian - Italy - 16th century - Mannerism
Collections - Italy - Emilia Romagna - Parma - 18th century
Pictorial works - Italy - 18th century
Contributors
Parmigianino, source artist
Benigno Bossi, engraver
Alessandro Sanvitale Count, dedicatee
Giuseppe Patrini, engraver
Ennemond Alexandre Petitot, source artist
Benigno Bossi, engraver
Alessandro Sanvitale Count, dedicatee
Giuseppe Patrini, engraver
Ennemond Alexandre Petitot, source artist
RA Collection: Book
Record number
Imprint
Parma: MDCCLXXII.
Physical Description
Contents
[T.-pl.] - [Pl. 1: dedic.] - [Pl. 2-29] - [Approvazione:] Noi Reale Accademia Parmense di Pittura ... - [Plate].
Responsibility Note
The title-plate, pl. 1 (engraved dedication) and pl. [30] (engraved Approvazione) are unsigned. Plates 2-29 are all signed as drawn by Franco. Mazzola Parmigiano and engraved by B. Bossi. The last plate (pl. [31]) is signed as engraved by Gius. Patrini. The title-plate vignette is unsigned.
The dedication is by 'Benignus Bossius' to 'Alexandro Comiti Sanvitali'. The last plate [31], 'Prospetto della Facciata di S. Pietro in Parma ...', is dedicated by Petitot to D. Guglielmo Du Tillot.
The dedication is by 'Benignus Bossius' to 'Alexandro Comiti Sanvitali'. The last plate [31], 'Prospetto della Facciata di S. Pietro in Parma ...', is dedicated by Petitot to D. Guglielmo Du Tillot.
References
Reproduction techniques were surveyed in S. Lambert, The image multiplied: five centuries of printed reproductions (1987).
Summary Note
A publication-date of 1771 is carried on two plates (22, 29).
This is one of many reproductions of paintings and drawings by Parmigianino published in the eighteenth century.
Plates 2-29 reproduce drawings of human figures, clothed and unclothed. The last plate (unnumbered) is captioned, 'Prospetto della facciata di S. Pietro in Parma d'invenzione, e disegno di E.A. Petitot ...'.
This is one of many reproductions of paintings and drawings by Parmigianino published in the eighteenth century.
Plates 2-29 reproduce drawings of human figures, clothed and unclothed. The last plate (unnumbered) is captioned, 'Prospetto della facciata di S. Pietro in Parma d'invenzione, e disegno di E.A. Petitot ...'.
Roulette Disegni Online
Binding Note
19th-century half calf, brown paper-covered boards; black morocco spine-labele lettered 'Disegni Originali Di Parmigianino', spine lettered '1772'.
Name as Subject
Roulette Disegni 3d
Subject
People - Women - Men (male humans)
Drawings, Italian - Italy - 16th century - Mannerism
Collections - Italy - Emilia Romagna - Parma - 18th century
Pictorial works - Italy - 18th century
Drawings, Italian - Italy - 16th century - Mannerism
Collections - Italy - Emilia Romagna - Parma - 18th century
Pictorial works - Italy - 18th century
Contributors
Roulette Disegni Games
Parmigianino, source artist
Benigno Bossi, engraver
Alessandro Sanvitale Count, dedicatee
Giuseppe Patrini, engraver
Ennemond Alexandre Petitot, source artist
Benigno Bossi, engraver
Alessandro Sanvitale Count, dedicatee
Giuseppe Patrini, engraver
Ennemond Alexandre Petitot, source artist